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Sunday, June 27, 2021

Circling Back To Innocence Park


Five year old Alex in the sunny days.


I like public radio (MPBN). But it isn't for the reason you might think. That is, if you think I'm the NPR stereotyped listener, just because I seem to have emerged from decades of being digested by the culture's more disappointing intestines, as a fully formed Liberal crumudgeon. It's true that I may lobby more often with the “progressives” these days, but I really think of myself more as an Anarchist. I despise ideology of all kinds.

Anyway, no, no, no. My attraction to the public broadcasting *ideal* comes from my childhood memories of watching inarguably innocent shows like “Sesame Street,” “Mr.Rogers,” “The Electric Company,” and “Mutual Omaha's Wild Kingdom.”

I like the feeling that I am observing something innocent; something made for well-meaning reasons. Even the left-weighted stories on public radio seem innocent enough for me now—*pure* enough. These shows seem to cause no one any harm and might have even taught me a thing or two! Again, an ideal. This ideal is deep within and indicates to me that there are - somehow – psychological safe zones where I can return to the Park of childlike innocence; to the sunny days (whether real or imagined) that illuminated the start of my life.

Having nearly died a few times now, I understand very well how the push-down from the momentum to “give up” can be defeated by the slightly stronger up-ward lift of finding the will to trying over again. It has very little to do with physiology. It is all about will-choice. It seems that it is a spin on the old cliché to say that: making a will-choice to try again is just enough of the self-help needed for God to then jump in and offer he/she/it's own help. (If you will.) Life is either given up or taken. There is no in between. As long as a person doesn't currently have one of those things doing death duty, one can live, and even learn! Adding the lubrication of experience as it is motivated by will-choice is how true wisdom and maybe even spiritual maturity can polish the weathered parts of the soul that have long since rusted shut.

When I was a younger man I didn't know how to be on time to meetings. Though my colleagues were patient with me, I began to catch on that making people wait just because I couldn't plan carefully enough was disrespectful to them, and made me look like a dick.

Resolving to change my evil ways, I tried to manipulate my environment in order to make reality look more acceptable to myself, as I put my own time ahead of other people's time, thinking that might work. I guess that became literal. I'd set my clocks ten minutes ahead, so that, in an attempt at reverse self-psychology, I'd always feel like I still had time for myself. “Four o'clock! Oh, right! Phew, it's only ten of four.” This failed spectacularly. Then one day I had the compulsion to try something different. I decided I would instead set my clocks to the most precisely known, *actual* (or, most mutual and socially-agreed upon) time. I decided that at least it could be a fun new challenge. It was then, when my reality matched the state of the moment as well as it could, that I was final able to be on time for meetings. I can't say why. The change was instant and lasting. It was the socially-friendly thing to do too. Yes, I changed because I respect other people's schedules, but I ended up unwittingly helping my own reputation! No more, “when is dick gonna show up.”

Decades of being a rebel with no rebellion to fight for, as well as a socially skeptical and jaded, “shamer and blamer ” of others, has left me wondering about the value or harm of habitual rejection, for rejection's sake. Turns out that only now can I hold the mirror up at just the right angle to see how my pretension (often accompanying plenty of outward contention) was a subconscious way to strut around, philosophically.

Only since pupating back from the chrysalis of surgical anesthesia have I discovered that “the fight” has been molted out of me. I just don't care enough anymore to defend, or *offend* with my own personal belief system. It's done. I've said it already in great detail. I've said enough. If people still want to argue with me about what *I* believe, I hope to lovingly send them to this blog. It is the socially-friendly thing to do. I'd rather just get along now, as much as it really stings my pride sometimes. time is short. (Beware though: I still hate unasked for advice. And, if you attack me unfairly, I'm not above pulling out my dusty verbal/textual buzz-saw. Ha!)

For me, the things that are important now are like those that a new parent must respect. Stability, social responsibility, and protection are the priorities. As you may know, I care for my mom as she is figuratively and tragically, getting “younger,” more childlike and innocent, creeping toward the mysterious birth place from which she had first emerged in her own sunnier days.

There is nothing more important. I put aside my life of over-sized ambition and isolation for something much more valuable to me, than me. The complexity of silly obligations, subtle social cues, the transient face-value of an artificial and highly disordered human universe go straight around my mom, without her even noticing. It's like gravitational lensing. The growing gravity well of her mind disperses all that is not as vital as the immediate moment, and terminally, forever swallows the light of her own mortal ability to escape.

And the connections born of irony never cease. My mom was exceedingly generous to me as a kid. If I had been a greedy and ambitious child, one might say she spoiled me. But I appreciated her help and put it to the best advantage I could. She was everything to me as a child. She had to be in order to balance things as the “good cop” parent. But, in so many ways, my mom and I were also friends, especially as I got older. We would often talk to each other for hours and hours about the problems we were having. It is our friendship that still allows humor to be present and not allow us to take ourselves too seriously. Hopefully that will last a while. Now that she needs help with even the smallest things, I find it bitter sweet to be the helper she will have, at least for the rest of my life (as she will likely outlive me).

Mom is circling around and becoming innocent again; as innocent as the PBS shows she encouraged me to watch when I was her child. Back then, we stuck to the safe side of the road. Our clocks were right on time. We just never knew what that time really was. It didn't matter back then.

To stop myself from speeding I drive at exactly the posted speed limit. It isn't just Protestant moderation, or Yankee sensibility. It is just socially-friendly.

I refuse to use my phone in any way except as GPS while driving. It isn't because the law demands it. It is because I need to know what it's like to follow the rules, to be responsibly to society. Throwing snowballs at the street signs felt good as a rebel, and I could cover them occasionally. But snow always melts and the signs stay. Cooperation is a will-choice for innocence.

Doing the cooperative thing isn't about right and wrong. It isn't about turning up my amp above the rest of the band and shredding through a guitar solo, or brandishing a unique physical appearance in order to cause intrigue and controversy. Only now do I realize that it isn't about the melody. It is about the harmony. While I would never advise capping creativity, originality, or novelty, I understand now that those three things shine best when they are highlighted least. They can make the show, rather than stealing it.

I have mentioned many times in the last couple years, that I believe my post surgical world (the world I came back to—THIS world) is like an over-the-top B-grade, sci-fi film, done in shaky handed video, like “Cloverfield” (but much worse), where every now and then you catch the microphone dipping down into the shot.

When I was prepped for surgery I left a semi-rational world; one where the most ridiculous thing in history was the election of an orange colored American president. The earth in the reality which I awoke after surgery was – right off the bat – like a shit show playing out in a shuttering boxcar, coming loose from a runaway, crazy train, on a dark and stormy night. No metaphor does this world any justice.

But, you'll be happy to know that I have since regained a largely unfounded faith that at least this version of earth is not, indeed, hell, as I had postulated about somemonths ago. Nope. I think this is just a less ordered local universe than the one I left. I know how unhinged all of this sounds. Ha! I am fully aware that if your world – my new world – seems so radically off the average planetary standard deviation curve to be real at all, it probably means the only truly weird character in this discussion is ME! Okay, that will remain up for discussion. But something happened to me while I was in between worlds.

Was it a lack of oxygen? Was it an overdose of imagination? Where is Occam's Razor? We will never know. I will never know. But, like every over-thinker who has ever thought about existential realty a little too long—because duh, that's what ya do, I – like you – have to eventually choose a belief system that integrates as much as possible about how my existence fits into everyone else's consensus reality. I choose to believe that this world must, instead of being a “beautiful hell,” perhaps the only sure way of avoiding that spiritual insanity-fate.

Of course, this space isn't perfect. No space is perfect for me or you. But our adventures in time can be a perfecting engine for all of us. Space and time are a *place.* What will lead to perfection in the end, can, in hindsight from there, be deemed a perfect place, but only then. Is that determinism? No, I don't think so, and thank you for asking! A perfect static circle may be seen from above, but an ascending and dynamic spiral staircase is what we see from the side. We may never see it from above—and thence both perspectives, but I believe we will!

And maybe the eternal striving for perfection simply takes us home to the sunny days just after we were born, subsequently linking each of us into the human over-mind that we know and love in this life—when we truly were innocent? I believe we are playing out the time-constrained dramas that we ourselves – in spirit – authorized in the deep past-planning of whichever world we all agreed was best, before meeting around the eternal camp fire.

Then, to enjoy the material freewill, like you read about—as adventure, we have briefly become mortal again, in observation. We learn the consequences for the moral decisions we make, like a kind of magic. Or, we don't learn.

I'm fortunate that the Universe or Universes has given me such ample opportunity to have another chance to try again. It is the golden dream: to return to innocence for one more try. This time? I remember what to do. I remember what is at stake. But most of all, I am perked up and ready to learn more about the plot of my own story. I think we are all doing that.

Here's a trip toy for you: Ultimately, I perceive a future Sea made up of all souls together, unified as One uncountable mega-multitude; sitting there in common ascendant perfection, at the Center of Infinity. For sport or entertainment, they like to dip their consciousnesses back down through the depths of their past experience—the decisions and events which allowed them to sit at such a lofty place of perfection.

Here on earth I am not really me yet. You are not yet you. We (writing and reading this) are like probes sent from our future selves to re-live the formulas of spiritual calculus our spirits once chose way back at the start of all things to complete the circle of eternity.

Only by experiencing the consequences of the erroneous decisions we make purely to help ourselves can we understand that love ends up meaning helping others. Love is many things. To give wisely without the expectation of any possible return on that love investment is one form. And, yes, admittedly, the extent to which that last sentence is followed is directly proportional to the purity of the love being proffered, I think.

The most profound realization I have had lately is that love doesn't have to be very pure, to be pure enough. Nothing has to be pure. Not yet. Things don't have to be ideal in order to be idyllic. Even people don't have to be perfect in order to claim they are “perfecting.” Knowing this allows for finding innocence again. We can all be forgiven, for truly, we know not a fucking thing about what we say. And what we say has to carry all the weight of what builds our world, from the Planck scale to the deep fields of starry twisting filaments teaming with endless galaxies. Terence McKenna said, “The world is made of language.”

I once walked and wrote about the roads spanning a single continent on a world I thought I understood, but toward which I was perpetually angry. Now, I've been kicked over to a world I don't understand, and for some reason I want to play nice now! I'm just walking the circular arc of the spiral, returning to innocence.

I still think you'll see my soul on the outside before I'm gone. Mom's soul is just a little further up the path... Look within! There she is!

Aw, she's smiling the first smile I ever saw! The most beautiful smile I've ever known and what I judged all other women by. Together, we're off to the Park, to the sunny days at the start! Come play with us whenever you are ready.

Tuesday, March 9, 2021

A New Plan, Reality, and Music


The author in between practicing songs for the new album, CROWNS.

* * * 

I just wanted to announce that I will be traveling on to Plan B instead of around the globe. Plan A was to be a world tour. Unfortunately, my physical condition just won't allow that at this point. Big surprise, not, I guess... Who knows what the future will bring? 

Seems the actual "walking" aspect of my life is fading into the life experiences of the last version of Alex Wall. The idea of rough camping and walking 15 miles a day and such is as appealing to me as re-taking the S.A.T.. I literally gave my life to those things in 2019 and have now come back to this world to accomplish something different and greater.

My lung capacity is much shortened from what it once was, no matter what I've tried. I thought I could expand it, but have been unsuccessful so far. Putting on my socks, sucks. My heart is doing pretty well, but I am having serious sleep problems. I also suffer from what I can only find described online as Rumination Disorder--something I apparently have had all my life. This is coupled with PTSD from some recent family experiences and of course all the earlier ones. I'm working on it all. It never ends for me. (And that may be be point: please re-read This Beautiful Hell.) 

It's okay, though. Or, it has to be, since I have no choice but to deal with it all. Mercifully, music has been burrowing its way back into my life like an adorable kitten trying to climb up my shirt. Like a kitty who cares, music has been curled up over my broken heart, waiting to be my companion again. And that is making all the difference. It is now something I can't ignore, can't avoid, and for god-sake, why would I ever want to? I love it beyond all the other things in this world.

When I was a young teen, I dreamed a dream. It is one I have described before, but let me recap...


The Spark and Fusion

Once below a time, far back before humanity took over this world, the Spark that I've written about lived in another man's mind, literally on another planet. 

This man on a more ancient world was a musician too, very famous though. He (and his "band"--another man and a woman) was a real phenomenon, even inventing a new way to "hear" music. But he became embroiled on the losing side of a great spiritual, worlds-wide conflict--there being two other planets in his solar system that were involved. And with defeat, he chose to commit suicide rather than give into the authorities. Thus, voluntarily, he lost his only chance to survive death ("survival" in this context means fusing with the Spark after material death). Over the eons of galactic time and ages of interplanetary development, his Spark has become my Spark. It chose me, because my projected life was to be very similar to it's last host. 

So, it was in my teens that this was revealed to me. Sparks forget not what they have experienced in the minds of human beings. And, my Spark wisely chose to show me only a brief scene from it's former host's life. To this day that dream/vision rests in my soul. By choosing this life with me, the Spark challenged itself with overcoming some of the exact same existential problems it faced in the last guy's life. It is betting on me not to drop the ball. Frankly, I think it couldn't have chosen a more difficult challenge.

The Spark is collaborating with my personality, in my mind, while together we build a soul and while also attempting to bring that soul into the outside world, so that I might wear it like a strange garment. And while I myself know there is NO outside world.

This is not to be done for the sake of pride, but as a means of opening the window to what each and every one of us is capable of. I think the Spark is offering musical and compositional insights from the experience of its former host in order to give me a little something extra to work with since just about this time last year, right when the virus hit. I see these insights while I am writing and working out parts on songs these days; bits, pieces, flashes of long forgotten adventures in melody and meaning. Yes, I'd been given these types of musical and artistic insights many times in my life before this point, but nothing like I do now; so frequently and so clearly. Music itself is slowly becoming my Will. I know other artists and musicians would surely agree to some kind of "inspiration."

So why did I wallk so long? Why did I suffer so intensely? Why didn't I simply make music the only priority ten years ago and fill up this last decade with it? I don't think I was ready for the profound self-revelation of musically exploring every nook and cranny of an early 21st Century life in the flesh, but now that I know it is happening I welcome it completely. I didn't know what our society was until I camped around it and mapped it from the outside, from sea to sea. 

It seems to be just the right time to both complete my own spiritual goals for this purely material life, while also doing my part as best I can  to be proactive in designing a new world for the "After-times" (a word I heard Kai Ryssdal use on Marketplace, to describe the more settled future we will eventually find after the pandemic and it's related chaos). I want to influence my fellow human beings, but not for them to believe what I believe. Rather I want them to make their own beliefs the most important things in their lives. I explored our nation, high and low, and you were right there with me, fellow readers! Now we know that basically people are good--if not always thinking very carefully; having a penchant for serving ideologies instead of each other.


Reality Theory

Tangentially, I wanted to remind folks that I am a polymath and therefore continue to be drawn to many different subjects and disciplines. I even have a Reality Theory of my own that I have been working to formalize mathematically for the last two decades. Finally, are my suspicions about the purity and fundamental nature of consciousness as reality maker being validated. My time so close to the Spark in the last ten years has convinced me that there is indeed NO outside world. All that we experience through our senses is a world of collapsed quantum waves that vibrate back out into superposition when we aren't observing them. The best summation of this theory is described by Bob Berman and Robert Lanza in their co-authored book, Biocentrism: How Life and Consciousness are the Keys to Understanding the True Nature of the Universe (2010).

I had long been a student of a group of philosophers and scientists, including, Emmanuel Kant, David Hume, Alfred North Whitehead, Marshall McLuhan, David Bohm, John Stewart Bell, John Wheeler, Fred Alan Wolf, Terence McKenna, and Dennis McKenna, and now I have to make space (pun intended) for these new guys: Berman and Lanza. The Anthropic Principle has played a large role in my thinking, but I am much more convinced now than ever before that nothing occurs outside of living things and the consciousness that permeates them, individually and collectively. With Biocentrism, the lines are finally laid down, boldly and unapologetically. I am convinced that this will help lead to the physics and metaphysics of a final and real Theory of Everything.

What does any of that have to do with me? I have a novel mathematical (geometric) and graphic approach to representing multidimensional reality, and it happens to fit Biocentrism perfectly. It is called, "Metaphorics." I will announce the publication of this hypothesis at some point in the next couple of years. While these things are not involved in my creative efforts, they do influence my thinking.



MUSIC - Crowns

The album I've been working on for the better part of this last year is moving along via it's own momentum now. Nine songs have been written (with possibly more to come). Lately, it's been a matter arranging parts within the songs. The project is meant to be an unbroken piece when listened to or performed. In other words, each song leads into the next song. In all, the album is like one song. I want to be able to sit down and play it all the way through. So, keeping the whole thing in mind even when playing one of the songs is important. Besides distributing it online, I really wanted to release it on vinyl. The total length should be about 40 minutes.

Writing and Composition


                      


Some of the subjects of the songs are close to being almost banal in a purposeful way that kind of makes them especially personal to me, and I hope the listener too will identify with that. As with most of my music the lyrics are meant to be more like poems. Songs usually come into being in the following way...

1. Subject is chosen.
2. Instrumental composition is worked out.
3. Words begin to come as I repeat playing it.
4. Melody is born.
5. Write a poem to match the music and fit the subject.
6. Integrate music and lyrics. 

The subjects range from dementia, depression, longing for youth, to deals with the devil, death of loved ones, this apocalyptic age, tyranny of politicians, billionaires and "holy" men, to prophecy about the "Age of Heroes" to come. The things I believe and the things I have written should be familiarly available in my music. It has always been that way. "Crowns" refers to symbols we use to give our world meaning. The obvious connection is to leadership, but the symbol of the crown could also fit the corona (which of course means "crown") virus.



The music is old fashioned sounding, compared to what is considered popular right now, especially when played solo on the piano. But I "hear" the songs in my head already in their final and more aurally experimental state, in full instrumentation with a band beside me.

Therefore, the first published version of the album will be piano and voice--kind of like a demo. Then, after I've had some time to perform it, I will put together a band to fully record, produce and perform it (along with future albums).

CROWNS 
Current Song List

1. Herx Sing
2. Already Over
3. With You
4. Seven Stars
5. Snow to Rain
6. Crowns
7. I Don't Know
8. Euphoria
9. Age of Heroes

Album Cover Ideas

The following sketch gives a very rough idea about the theme...




Recording Environment

I have been writing poetry, song lyrics and prose since 1980, playing my own music since 1982. I've been multitrack recording since 1984. In the early days, buying and piling up mountains of equipment was the real goal of building a studio. Thankfully, I have been able to hold onto the core recorder (a Korg D32-XD 32 track recorder with programmable moving faders).

I used to have twenty guitars, two basses, effects units, a dozen microphones, stands...tons of stuff. In 2011, I gave most of it away and put the rest into deep storage. What I have now is the most basic set up left from that storage. My 1986 Fender Stratocaster is in need of serious repair and is unplayable, same with my acoustic. So I bought a simple Ibanez electric, which turned out to be a great guitar! I picked up a Kustom amp for $2 at a yard sale, from a couple who thought it was a broken air conditioner. I still have an old modified bass that I just bought coated strings for a year ago. I have my little Yamaha keyboard and my Rode condenser microphone. Interestingly, for live vocals, I still have the same Shure SM-58 I used in high school!

Mostly though, I have been attached to my mother's beautiful Yamaha Studio piano. I secured a microphone on left and right inside the piano to isolate them from vocals. For some reason, since my surgery in October 2019, I have found it much easier to play the piano, and to sing.


   

From left to right: Korg D32XD recorder, Shure SM-58 microphone,
guitar and piano, and amp far right.



Ibanez guitar and Kustom amp.



I hooked up a headphone jack for my mom so she can listen along to the mixes on the recorder.




I am learning a bunch of cover songs too.


A Working Routine


Though musicians are said to "play" music, writing, performing, recording, mixing, mastering and producing an album is a huge amount of work. For sub poverty folks like me it has to be done for no compensation, and is the very definition of "a labor of love." But it does pay me. I have had a horrible experience in the last ten months (even unrelated from viruses and coming civil wars). As implied above with my mentioning rumination, there were panic attacks and depression, insomnia, anxiety, high blood pressure. I had been libeled, defamed, and slandered by the closest person in my family. Being able to escape into music might well be called a "life saving" activity.

I do live -in direct care for my mom now and am blessed to have her as my captive audience. Actually, when I procrastinate and a day goes by without piano work, she begins to tell me how much she likes listening. Many nights after working on my originals I play her a set of ELO, the Beatles, John or Paul's solo material, Pink Floyd, the Eagles, or unusual stuff like TV on the Radio, Duran Duran, David Bowie, on and on... Mom remembers the songs by sound, but not by title. She has her favorites of both my music and the covers. She is easily moved to tears, unable to suppress her intense emotions (even really good ones) when she listens to music. Songs like those from John and Yoko Lennon's, Double Fantasy, or Louis Armstrong's, "What a Wonderful World" or Cat Stevens', "Morning Has Broken," or Leonard Cohen's, "Hallelujah." By far her very favorite cover tune that I play is "Midnight Blue," off of ELO's, Discovery, album...



Mom's favorite cover song: Midnight Blue


With Mom's support, my routine includes playing a whole day 4-6 hours of cover tunes (sometimes broken up) to keep my piano and vocal chops up. Then, each other day I work on the latest CROWNS' songs, before running through the whole album as it is currently structured. This is usually in 2 hour chunks. I do get burned out though, and if I play my songs too often I get sick of them. Giving a day in between covers and originals is enough to keep my interest in both.

* * *

I suppose that at this point, everything creative that I do is really just for myself. I have to admit that, like all my former walking, if one or two people care enough to follow along I will continue to be motivated to share what I do. I have no more illusions about becoming a big star, nor do I desire to be cool anymore. I want to make music for music sake; to mine the ancient melodies within myself and brought forth by the Spark, in an attempt to reinforce the harmonies needed to help keep humanity hungering for unity, peace and love.